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Exhibition poster |
This exhibition brings together works by five exceptional Swiss
photographers—Werner Bischof (*1916 †1954), Balthasar Burkhard (*1944 †2010),
René Burri (*1933 †2014), Robert Frank (*1924) and René Groebli (*1927)—who
sought to explore with their cameras the roads, streets and off-the-beaten-paths
around the globe and in the process ended up re-shaping their chosen medium as
well as our view of the world. Not unlike people who feel the need to cross
oceans whenever they stand by the sea, or others who have the urge to climb a peak
whenever they gaze up from the foot hills, these photographers growing up in
insular Switzerland had to see for themselves the world beyond the quaint and
mountain-obstructed vistas. In fact, it was René Burri who once said that he
had to leave his home country, because he needed to experience an open, an expanded
horizon. The pictures Burri and the other photographers took of the world and
reported back to us in newspapers, illustrated magazines or photo books were
filled with a radical sense of humanism, a passion for life and people, and
with an awareness that even the worst instances captured on film might carry a
seed of hope and change-for-the-better within.
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Works by René Groebli and René Burri during installation |
It hardly requires mentioning, but these five Swiss artists represent
some of the biggest names in international photography today and are tightly
intertwined with important art historical markers of the 20th
Century. Their works have grown close to us, and a few of them have even
achieved iconic status. Expanded Horizons,
however, is less concerned with the extraordinary single images by these
photographers rather than topics and series that often reflect their own sense
of departure, like René Groebli’s romantic photographs from Magie der Schiene (1949) and Auge der Liebe (1952). In 1951, Werner
Bischof travelled for MAGNUM—which he had joined as the first Swiss
photographer in 1949—to Japan and India in order to document the everyday lives
and hopes of the global post-war generation by portraying two exemplary pairs
of young people. Our exhibition presents a wonderful excerpt of this project:
the young Japanese fashion designer Michiko. Furthermore, there are René
Burri’s profound photographs of Cuba (1963), which recently gained topicality
due to the renewal of diplomatic relations between the United States and the
socialist Caribbean island. Robert Frank’s images from his series and seminal
photo book “The Americans”, of which the exhibition will include five prints,
remain equally important and current. All five photographers in this show share
an innovative approach to their chosen craft and an almost restless practice. They
kept pushing the boundaries of what constitutes a “successful” photograph away
from rigid aesthetic parameters and ever more towards new ways of looking at
the world.
The Fabian & Claude Walter Gallery is proud to present this fine
selection of works by the five photographers in an exhibition curated by Daniel
Blochwitz, and we look forward to welcome you to the opening reception on
August 27th, 2015, from 5 to 8 pm.
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During the opening reception at Fabian & Claude Walter Gallery (Photo: Alessa Widmer / Courtesy Fabian & Claude Walter Gallery, 2016) |
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