Saturday, November 28, 2009

SHIFTER15:Will

Dear Friends, we are pleased to announce the release of Shifter 15, which can be downloaded at www.shifter-magazine.com. Please join us for the release of the print edition on Dec. 15 at Ludlow 38.

Editors: Sreshta Rit Premnath, Abhishek Hazra
Avi Alpert, Diana Artus, Lindsay Benedict, Daniel Blochwitz, Brandstifter, Steven Brower, Jon Cotner & Andy Fitch, Mark Cunningham, Chris Curreri, Thom Donovan, Nathan Haenlein, Nina Höchtl, John Houck, Devin Kenny, Richard Kostelanetz & Nick Eve, Matt McAlpin, Jean-Marc Superville Sovak, and Julie Tolentino Wood

RELEASE ON
DEC 15, 6-8 pm at Ludlow 38
(download PDF version here)

Ludlow 38
European Kunsthalle Cologne / Goethe Institut New York
38 Ludlow Street
Between Grand and Hester
New York 10002
Tel. +1 212 228 6848
www.ludlow38.org
info@ludlow38.org

‘Indeed, the truth was not hit by him who shot at it with the word of the “will to existence”: that will does not exist… Only where there is life is there also will: not will to life – thus I teach you – but will to power.’
Friedrich Nietzche, “Thus Spake Zarathustra”

When Will shot Joan he did not mean to. He wanted to shoot the apple balanced on her head. The cactus wine may have put the gun in his hand. The spirit may have provided the reckless confidence. And in the spirit of its will he pointed his gun and squeezed the trigger. It may have been at the moment he squeezed the trigger, or perhaps a split second before, that the world had already begun to rip. Space and time had torn the future into an infinite set of possibilities. The set could be divided into two subsets: He would miss Joan / He would not. But the will of the spirit produced a second pair of possibilities that would not matter in the least – He would hit the apple/ He would not.

If Will was not himself when he constituted this new reality, one without Joan, then who was responsible? Who’s will acted upon reality? His finger’s? The gun’s? The wine’s? Yet, we must not confuse will with intention – maybe this assumption of a causality itself is a mistake. What is known is that it happened.

If will is a potentiality – a vector that opens possibility and cleaves reality – does it precede choice? Are personal wills constituted by hegemonic ideologies (producing pre-inscribed realities), or rather is an individual’s will that space of agency which allows for an opening and aggregates with other individual wills to produce the transformation of the social?

There is a story about a revolutionary who was tortured to reveal the location of a comrade. He lied and gave his interrogators the wrong coordinates. But, when his interrogators arrived there, they found his friend.

Is reality willed into existence?

Thursday, November 19, 2009

Installation Shot from "Moolah"

Photo: Arts Guild New Jersey (P. Collura / L. Cappiello)

Tuesday, November 17, 2009

ArtistsMeeting

ArtistsMeeting (AM), the art collective I am founding member of, has been quite active in recent weeks. And although I haven't contributed my regular share of time and energy, I am still proud to report that AM has hosted our signature YouTube-Triptych Party in the UK and at the recent DokFest in Kassel (Germany). We have also been invited to PULSE Art Fair in Miami, this December, to contribute what AM calls an art machine.

Friday, November 13, 2009

"Moolah" in New Jersey

MOOLAH – An art exhibit about money…

Nov 13 – Dec 11, 2009

Reception: Nov 15 (Sun.), 1-4 PM


The Arts Guild of New Jersey

1670 Irving Street

Rahway, New Jersey 07065

T: 732-381-7511



Featured Artists: Daniel Blochwitz, Jean Brasile, Ben Colebrook, Joy Drury Cox, Mark DeSantos, Lisa Ficarelli-Halpern, Ben Colebrook, Anne Schiffer, John Kirchner, Marc DosSantos, Tracie Fricasso, Lisa Ficarelli-Halpern, Max Infield, John Kirchner, Steve Lambert, Alex Lockwood, Ann Schiffer, MyYoung Sohn, Adrienne Heath-Stiefel, Kelly Vetter, Hanna Von Goeler, Bill Westheimer, Tammy Wofsey


These days, in one of the most dire economic climates of our lifetimes, one thing on the minds of many people is money – we all have some, many want more, we use it everyday. Probably by the time most of us were three years old we saw, handled and/or spent money. In the United States, one of the richest countries on earth, it is often a topic of discussion and the focus of thousands in their careers – Wall Street, the corporate structure, the major banks, mortgage companies and lenders.

Since just about everyone on the planet has a knowledge of and experience with money, we began to wonder just what artists might have to say on this subject.

MOOLAH brings together artists who have created original artworks on the subject by either creating images based on currency or coin of this and other countries, or by altering or manipulating actual paper currency or coins or including images of actual currency in their work. To broaden our approach we also include work about barter, trade, sales and other transactions or processes which involve our subject.

This exhibit is sponsored by Merck & Co., Inc. and is handicapped accessible.

Gallery Hours are Friday, Saturday and Sunday from 1-4 PM. The exhibit can also be viewed during our regular office hours: 9AM-12 & 1PM-4PM, Monday through Friday. Parking is available behind our building on the Seminary Avenue side.


www.rahwayartsguild.org

Monday, October 5, 2009

Installation Shots from "Critical Distance" in Erfurt

Above you see "Untitled" (2009), left, two digital frames with parallel slide shows (photos taken in the US in the left frame, images from Germany on the right; the image numbers are off by one in order to perpetually change the juxtapositions), and the triptych "What Place?" (2009), a c-print.
Below, the image "Zur Heimat" (2006/2009) and the second triptych "Engineered Desire" (2009). All photos are editions of five (+2 AP); the digital frame diptych is an edition of two (+1 AP). Please contact me via e-mail, if you are interested.

Thüringer Allgemeine, September 28th, 2009

Tuesday, September 22, 2009

Vernissage für "Critical Distance"

Zur Eröffnung meiner Ausstellung "Critical Distance" in der Galerie des Verbandes Bildender Künstler Thüringen e.V. im Haus zum Bunten Löwen (Krämerbrücke 4, 99084 Erfurt) am Montag, den 28. September 2009 um 18 Uhr laden wir Euch und Eure Freunde recht herzlich ein. Die Ausstellung wird vom 28.9. bis 25.10.2009 zu sehen sein. Die Öffnungszeiten sind von Dienstag bis Freitag, 11-19 Uhr, und am Samstag, 10-14 Uhr.

[For all English speakers who might find themselves in Germany on Monday, September 28th: Please join us at the opening reception to my exhibition "Critical Distance" at the gallery in Haus zum Bunten Löwen (Krämerbrücke 4, 99084 Erfurt) at 6 pm. The exhibition will run from 09/28 to 10/25/2009. Gallery hours are Tuesdays through Fridays, 11am-7pm, and Saturdays from 10am to 2pm.]

•••

"Auf der Suche nach einem passenden Begriff, der meine uneindeutige Beziehung zu einer geografisch, kulturell und gefühlsmäßig definierten Heimat beschreiben könnte, stieß ich auf das niederländische Wort unheimisch. Bei unheimisch muss ich an ‚entwurzelt’ oder ‚nicht zu Hause’ denken, aber die Niederländer haben das Wort aus meiner Muttersprache adaptiert, jedoch fälschlich in Verbindung zu ‚heimisch’, um damit etwas als ‚unheimlich’ zu bezeichnen. Und obwohl unheimisch ein wunderbarer und durchaus nützlicher Begriff wäre, er existiert so leider nicht im deutschen Wortschatz. Es ist ein Wort, das von einer Sprache in eine andere migrierte, ohne je in ersterer zu Hause gewesen zu sein."

(aus Unheimisch, dem Vorwort meines Buchprojektes Critical Distance – a perpetual absence of home)

Wednesday, September 9, 2009

Upcoming cover for "parallax"

The upcoming issue of "Parallax", a peer reviewed journal that brings "together outstanding work in cultural studies, critical theory and philosophy", will feature a montage of my images under the title of "Disturbing Spaces" on the cover. The issue will also include a small portfolio of images on the inside pages. It is published by Routledge and should be out and available by November 2009.